Averaged melody squares of music from four broad geographic regions.

Rhythmic Segment Analysis

This paper addresses how to conceptualize, visualize, and measure regularities in rhythmic data.

Visual summary

Pattern-duration plots of two instruments from the IEMP-CSS dataset. Each point represents a pair of intervals: a segment. Horizontally we see the pattern of that segment: the ratio between the first and second interval; 0.5 corresponds to isochrony. Vertically we see the duration of the segment. All integer multiples of the pulse have been annotated. Arrow show transitions between segment clusters.

Summary

This paper addresses how to conceptualize, visualize, and measure regularities in rhythmic data. I propose to think about rhythmic data in terms of interval segments: fixed-length groups of consecutive intervals, which can be decomposed into a duration and a pattern, the latter being a point in a rhythm simplex (e.g., 1 : 1 : 2). This simple conceptual framework unifies three rhythmic visualization methods and suggests a fourth: the pattern-duration plot. When paired with a cluster transition network, it intuitively reveals regularities in both synthetic and real-world rhythmic data. Moreover, the framework generalizes two common measures of rhythmic structure: rhythm ratios and the normalized pairwise variability index (nPVI). In particular, nPVI can be reconstructed as the average distance from isochrony, and I propose a more general measure of anisochrony to replace it. Finally, the novel concept of quantal data proves to be fruitful. Referring to intervals that cluster around integer multiples of a smallest duration, it may shed light on wider debates regarding small integer ratio rhythms.

Preprint

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